Gallery

Boiler Room @ The Vinyl Library – Andrew Weatherall, Friendly Fires, Timothy J Fairplay

This gallery contains 7 photos.

Andrew Weatherall came to play Boiler Room alongside Timothy J Fairplay (who together are known as The Asphodell’s) & The Friendly Fires @ The Vinyl Library on Thursday. Unfortunately, I only caught the end of the set cos I got … Continue reading

“Listening with our eyes” / “E2 Portraits”

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“…Theodor Adorno once commented that truth is like a handful of water. I think Adorno chose the right analogy but his chemistry is wrong. Truth might better be viewed as analogous to a handful of sand. Most of the grains slip through our fingers but some stick and can be held in the palm. In a desperate attempt to hold onto these pure grains – and in the intense hear produced by the desire to know and understand – a lens is forged.”

Listening With Our Eyes – Portraiture as urban encounter by Les Back in Picturing The Social Landscape: Visual Methods and the Sociological Imagination, edited by Caroline Knowles & Paul Sweetman

The above quote is from an incredibly fine essay about a set of photos that I was fortunate to see daily for the three years of studies in the stairwell of the brilliant Art dept at the newly renamed/restored Croydon School of Art. It’s author, Les Back describes how residents, shoppers and tourists interact with a large format camera that was set up on weekly Sundays in East London’s Brick Lane by students on the Photomedia course at Croydon, every Sunday for a number of weeks in 2001 (there’s a great behind the scenes blog about it here). Among other things, the different roles that the photographer’s undertook while maintaining equal co-authorship of the project is interesting, as are their initial concerns related to the concept of the “camera as a weapon” and thus, not wanting to disturb people with it. I and undoubtedly most photographers of public places have certainly felt that at times. Back’s expansions on the characters within the portraits make it a challenge to pick out a favourite; while it’s possible to “hear” extracts of their stories on sight, the added descriptions give concrete details or truths, that sometimes make sense and sometimes lead to sad surprise. That the institutional Beigel Bake features in the essay is a bonus; it and the Bengali community are two things that remain strong in Brick Lane, through all it’s change and flux, thirteen years later.

Trees in the City – Caught by the River

 

here’s a post called Trees in the City for Caught by the River.

Video: Hatcha waxin lyrical about Dubstep – Nowthisnews

Here’s a great video of the brilliant Hatcha talkin about Dubstep on NowthisNews.  He nails it, I think. I hasten to add that I’ve been credited for a few photos that aren’t mine in this video (some of them are, some of them aren’t). Big up Hatch.

DJ Hatcha Interview: Creator Of Dubstep Talks About The Music Craze – NowThis News.

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Prints to view & purchase: An inbetween Place

©GC An inbetween place©GC Fox, Herne Hill
Prints to view and purchase: An inbetween Place

I am selling three different prints at four different sizes and prices; they are currently on display at The Antenna Studios Cafe but you can also order them directly by emailing me- drumzofthesouth[at]gmail.com

12″ x 8″ / 30.5 x 20.3cm
16″ x 12″ / 40.6 x 30.5cm
20” x 16” / 50.8 x 40.6cm
28” x 20″ / 71cm x 50.8cm
(display size), signed limited edition of 100

They were shot in Crystal Palace, South Norwood and Herne Hill.